11.04.2018
收藏之家
Molteni&C参加2018米兰国际家具展之际，推出这一创新的概念，象征着意大利风格，诠释了Vincent Van Duysen设计的典型意大利风格的别墅，丰富了当代艺术家的作品。 参展作品经过策展人 Caroline Corbetta精心选择，她的才华得到国际认可，这一完美的作品系列旨在创造一个具有想象力、设计、风格和个性共存的生态系统。
Molteni&C参加2018米兰国际家具展之际，推出这一创新的概念，象征着意大利风格，诠释了Vincent Van Duysen设计的典型意大利风格的别墅，丰富了当代艺术家的作品。 参展作品经过策展人 Caroline Corbetta精心选择，她的才华得到国际认可，这一完美的作品系列旨在创造一个具有想象力、设计、风格和个性共存的生态系统。
Santo Tolone | Se non ti svegli...lo faccio io, 2015
Alek O. | Tetris (Santo Stefano Ticino), 2014
参展艺术家包括Gabriele De Santis (1983)、 Marco Giordano (1988)、 Jacopo Miliani (1979)、 Alek O. (1981) 以及 Santo Tolone (1979)，这些年轻的艺术家履历丰富，其作品由2013年苏格兰人 James Gardner在罗马创建的Frutta画廊代理。他们的作品将同近几十年的优秀设计经典作品一同展出。 例如Gio Ponti扶手椅和Jean Nouvel的桌子，还有未在市场上亮相的作品，比如年轻设计师Francesco Meda的椅子。所有作品打造出一种美而和谐的文化氛围。 艺术与设计交织在一起，创造出一个私密的社交空间。
Molteni＆C公司在设计上注重文化元素（同时经过不断的努力，Molteni博物馆曾获得2017年度艺术企业奖），通过这一创举，当代艺术收藏成为Molteni博物馆新的开始，支持艺术家的每个创作阶段。
当代艺术收藏代表着爱与信任。这是一种文化投资。也是一种当代有意识的对文学艺术事业的保护和资助。
Aramis, 2015 Acrylic, Marble, Frame 76 × 57 cm
Gabriele De Santis
b. 1983, Rome, IT, lives and works in Rome.
He earned an MA in Visual Arts at the University of the Arts London, UK (2010).
Untitled, 2016 Jesmonite, Sand, Soil, Lenticular Print 40.5 x 30 x 2 cm
Marco Giordano
b. 1988, Turin, IT, lives and works in Glasgow.
He gained a degree in Painting at the Fine Arts School of Venice, Venice, IT.
Devil, 2015 Bronze, Lost Wax Process 17 x 22 x 19 cm
Jacopo Miliani
b.1979, Florence, IT, lives and works in Milan.
He earned an MA in Fine Arts at Central Saint Martins College of Arts and Design, London (2006).
Victor, 2017 Paper, Leaves, Framed 155.5 × 112 × 5.5 cm
Alek O.
b. 1981, Buenos Aires, RA, lives and works in Milan.
She gained a degree in Industrial Design at Politecnico di Milano, Milan (2005).
Jiselle, 2013 C-Print, Framed 52.5 × 42.5 × 3 cm (20 5/8 × 16 3/4 × 1 1/8 inches) Ed. of 3 + I AP
Santo Tolone
b. 1979, Como, IT, lives and works in Milan.
He earned an MA in Fine Art at Slade School of Fine Art, London, UK (2012).
Caroline Corbetta
Caroline Corbetta, an obstinately freelance curator, has two obsessions: popularising contemporary art among the general public and scouting for up-and-coming talents. With her roving and inclusive gaze, she moves confidently from the art direction of an institutional pavilion such as Expo Gate, for Expo Milano 2015, to that of IL CREPACCIO, a Milanese showcase for young artists now transferred to Instagram. As well as curating exhibitions and public projects for international companies and institutions such as Stockholm’s Moderna Museet and New York’s Performa, she also writes for magazines of the calibre of Vogue Italia and Domus.
Fiera Milano – Rho
Molteni&C | Hall 20 | Booth A01 B04 C02
Dada | Hall 11 | Booth B15 C16
